on a solar morning

i witnessed

the twin stars

sinking

as they ascended_

Create an account or to write a comment.

  • I like this. It has a very perfect balance of upbeat techno and calming ambience, with futuristic industrial accents. It isn't annoying, it isn't disorienting and loud and chaotic. This music has a special power to cause a special form neurological alignment to bring about the more work-efficient side of everyone who listens to it. It's a soothing form of ambient industrial that I think deserves more than 5 stars. I love it!

  • Morceau incroyable 😁😁😁

  • a whole 7.5 minute track of beautiful sound design and not a single sample used, not even for drums. you blow my mind dude

    also i agree with po9t those stabs at 6:08 are such earcandy!! great touch

  • what's your process look like when you make these giant tracks? I know that's a bit of a loaded question, but you make some really impressive stuff on here.

    • goated audiotool user

    • Also, I use the EQ a lot all along the process to always have clarity in the mix and leave room for more ideas without having to think too much as you'd have to with a crowded mix

    • Sound design is my first step, I always try to incorporate textures that I've never tried before. Synth after synth, I progressively build the sound identity of the track. Then I try to figure out rhythms and melodies that showcase well the sound textures. If the texture is good on its own, the note region doesn't need to be too complex imo. But for this track, I wanted to work more on creating interesting melodies and rhythms than usual, going away from my ambient-techno stuff

  • those stabs at 6:08 i’m learning how to do that right tf now

    • then chorus (30ms delay, 50% feedback, 5hz speed, 1% depth, 0% spread) and finally quasar (75% plate decay, 100% damp, 1370hz LPF, 673hz HPF, vibrato 1.42ms at 1hz, full dry with -6dB wet)

    • then Heis goes to exciter (tone 3511hz, 0% power, 58% wet) then to some EQ w/ 36dB HP filter at 240hz, 12dB LP filter at 9882hz, and -10.6dB peak at 3644hz

    • Heis with 3 unisono, 3-cent detune and 0% spread

      - OSC A Sawtooth Down, phase modulated by OSC B at 28.5%

      - OSC B Sinus -24st (0% gain, only used for phase modulation)

      both OSCs w/ pitch enabled +36st to +0st with 129ms attack time & 100% attack bend

      Envelope A: 1ms attack, 717ms decay w/ 75.51 % bend, 34.82 % sustain, 1010ms release w/ 75.51 % bend

      LFO B Circle 1/64 rate & 1/16 blend, restart and sync ON

      48dB filter at 33hz & 8.9% resonance

      Filter mode envelope A 95%

      Filter mode LFO B 40%

    2 more
  • Awesome

  • Very cool and spacey! Your sound design is getting better and better with every track!! :0

  • L'attention aux détails est assez incroyable :o bluffé

  • daddy cill

  • So glad to see you back how are you ?

    your music is always a balm for the mind

    • J'espère aussi ;)

    • J'espère que tu auras un peu de repos pour les fêtes en tout cas :)

    • Same mon ami, J'ai été très occupé au boulot et dans mes affaires personnelles également. <3

    1 more
  • This is very creative!

  • This is so pleasing on the ears

  • SEAFOAM HITTING THE SINGLES AGAIN AFTER SO LONG LES GOOOO

  • never misses

  • yesss omg